#which probably has my absolute favorite dialogue bits in it

[the-sassy-composer]

Really tired of streaming services making absolute banger animated TV shows for adults, never advertising them, then canceling then because no one watches them, so I'm taking it upon myself to share some of the ones I've watched recently with the hope other people will hear about them for the first time and give them a shot.

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Blue Eye Samurai

"A master of the sword lives life in disguise while seeking revenge in Edo-period Japan."

Probably one of my favorite animated shows of all time. Mizu, arguably one of the best sword masters in this time period, goes on a quest to eliminate four white men living in Japan, one of which is Mizu's father. The show focuses heavily on how factors outside of your control, such as race and gender, impact how others view you and how you view yourself.

Watch if you are a fan of: Complicated characters/relationships, revenge quests, gore, complicated relationships with gender and race, and absolute badass characters.

Where to Watch: Netflix

Undone

"After 28-year-old Alma nearly dies in a car accident, she finds that she has a new relationship with time; she develops this newfound relationship to find out the truth about her father's death."

Undone focuses on difficult relationships with family, including how your parents can have profound effects on you even after they're gone, and how to deal with grief. That, plus the added chaos of being able to travel through time.

Watch if you are a fan of: character studies, shows dealing with grief, time travel, trying to rewrite fate.

Where to watch: Prime

Scavengers Reign

"The crew of a damaged deep space freighter are stranded on a beautiful but dangerous planet."

A mix between sci-fi and horror, this show focuses on the crew of a crashed spaceship. Each (living) crew member of the ship escaped in pods, scattering them across the planet. They must fight to survive and make their way back to their ship on a planet featuring some of the most fucked up creatures I've ever seen.

Watch if you like: sci-fi, isolationist horror, body horror, creature features

Where to watch: At the moment, Max. As of May 31st, Netflix. Max canceled the show (even though it has a 100% rating 🙃). Netflix may make a season 2 depending on how many people watch it in the first few weeks after it comes to Netflix.

Harley Quinn

"The newly single Harley Quinn sets off to make it on her own as the criminal queenpin in Gotham City."

Honestly I was feeling a bit burnt out on super hero shows, but this one felt like a breath of fresh air. It follows Harley as steps out from the shadow of the Joker, no longer being one of his henchmen and struggling to find her identity as a single, independent villain.

Watch if you like: Superhero/villain shows, stories that focus on blurred lines instead of a clear distinction between good and evil.

Where to Watch: Max

Primal

"At the dawn of evolution, a caveman and a dinosaur on the brink of extinction bond over unfortunate tragedies and become each other's only hope of survival in a treacherous world."

This show is super unique in that there's basically no dialogue, but it still finds a way to display an absolutely gutwrenching relationship between two parents of different species going through shared grief.

Watch if you like: Brutality, heavily visual story telling, prehistoric stories, and tales of overcoming.

Where to Watch: Hulu

Love Death and Robots

"This collection of animated short stories spans several genres, including science fiction, fantasy, horror and comedy. World-class animation creators bring captivating stories to life in the form of a unique and visceral viewing experience. The animated anthology series includes tales that explore alternate histories, life for robots in a post-apocalyptic city and a plot for world domination by super-intelligent yogurt."

I love this show because you never have any clue what to expect. A siren living in a river falling for a deaf knight? An artist painting intergalactic art pieces? Three robots going on a field trip through the apocalypse to visit old human historical sites? You never know, but there's going to be love, death, and/or robots in it. Each episode varies wildly, so I'd recommend watching at least a few to get a taste for it, as some will resonate more strongly than others.

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I'm sure there are lots more excellent animated shows, but these are all the ones I've watched in the past year or so. I'd love to see more recs in the tags, because I'm always down to watch more cool animations!

[loupy-mongoose]

*Ahem*

Happy Halloween!! ^w^

Bug Fables.

It's my current favorite video game, and actually, you can thank it for Linden Roots existing~

I'll explain, but in order to do so I have to dive into spoilers for one of my absolute favorite plots for one of my absolute favorite characters, so I need to slap on a;

MASSIVE SPOILER WARNING!

In my opinion, this game is best experienced SPOILER FREE, so if you haven't played it and want to some day, I recommend skipping my info dump below. (This info can be acquired before beating the main game though. :>)

You're okay with spoilers? Yes? Okay, carry on.

So.

Those who are familiar with Leif's story will probably see how Bug Fables influenced the creation of Linden Roots.

A long while ago, I mentioned Randy being inspired by my favorite fictional character.

That's Leif.

Leif is a moth who is ancient.

And dead.

Loooooong before the game takes place (I can't find an exact timeframe; it's like a generation or two), Leif went with a team of bugs to explore a cave, but ended up dying in there. In that same cave, a group of scientists later experimented on cordyceps. Now, as soon as they became relevant to the story I was HOOKED.

I learned about cordyceps as a kid, and they scared the crap out of me. But it also was one of those morbidly fascinating things I'd look into once in a while. (Before anyone tells me, yes, I know that's what's in The Last of Us.)

If you don't know, IRL cordyceps basically turn bugs into zombies.

Anyway, the scientists were trying to find a way to create eternal life (what else is new lol), and did this through cordyceps. Which, as one could guess when dealing with zombie fungus, ended up going badly for the scientists.

One of the "failed" experimental fungi was thrown out, and found its way to the deceased Leif, and brought him back to life. It took on his memories, and Leif woke up without knowing what happened, until you dig into his story during the game. So the "Leif" we know in the game isn't truly Leif, but is the fungus living as him.

Now... I'm sure that sounds a bit familiar...

This idea of a character being dead-but-not struck a chord with me. It fascinated me to no end.

But there's more to it.

As one might expect, Leif has some tragedy surrounding him.

While playing the game, you can stumble upon his decedents.

This here is Muze. With a 'z'

This is Leif's great great however-many-greats grand-daughter, who you meet in the game's present day.

When he was alive, he had a wife.

His wife was Muse. With an 's'.

We never get to see what Muse looked like, but he says in-game that Muze is a spitting image of her. Hence why Akoya is dressed as she is in my pic. She's dressed as Muse.

Now, according to the developers, Muse was pregnant when Leif went into the cave where he died.

And he didn't know.

There are several moments in the game that show Leif's potential as a father, but one in particular stood out to me.

(Note for the images; Leif refers to himself as "We/Us".)

Oops, I forgot one. Vi finishes by shouting "I said it's not happening!"

The text in the last shot bounces/wiggles in-game, indicating playfulness or joking.

If you're familiar with Goombario and Goombella in the Paper Mario games, this dialogue is this game's version of that. You can have the main characters give flavor text on any area and most characters in the game. (And I recommend doing it often, as it adds SOOO much to the game! ^v^)

This bit takes place in the first room after Kabbu and Vi meet Leif. And at the end of the room, an event happens to change what's said for the rest of the game. Meaning, the only time you see it is RIGHT after they meet; He was getting playful with these two bugs he'd met only moments ago.

I'm sure it can just be seen as sarcasm, but having found this dialogue after learning about Leif missing out on raising a child, I saw it as a clue that he would've been a great dad. And it shattered me. ;w;

Randy and Akoya are wish-fulfillment. They're my version of Leif and Muse. They're my way of giving Leif and Muse what I'm sad they missed out on, while also keeping some of the angst, lol. Thankfully, they've evolved into their own separate characters that I feel I can be proud of, but Leif's story and tragedy still has a deep, well-protected place in my heart.

Anyway, thanks for checking out my ramble. I accept no blame for any potential spoiler you might've seen against your will. XD

[avelera]

Avelera's Dreamling Fic Status Update:

Keeping Sanctuary (subscribe for updates here) - Giving Sanctuary Sequel follows Dream and Hob from the events of the altered meeting in 1689 up to the modern era. (aka, What if they hooked up after the 1689 meeting?) Current word count: ~7,000 words across several chapters. Realistic progress update: 1/10 complete total, Ch. 1 is about 1/5 complete.

(The rest are below the cut!)

Come live with me and be my love - Dream and Hob fall in love during the Regency Era when Dream loses a bet to Desire. Shenanigans ensue. (aka, What if they hooked up after the 1789 meeting?) Ch. 16 is at 2,500 words, probably about 1/3 done. Current plan is to wrap up Part 1 in the next few chapters then create a part 2 which finishes out their "1 year of marriage" on a month by month basis instead of following them day to day like Part 1 done. Probably won't be a separate fic though, just a change of format.

This Rough Magic - My take on "Hob rescues Dream from Burgess" with a twist that Hob ends up on Burgess's radar himself when he picked up some occult magic skills in the hopes of contacting Dream after 1889 and apologizing. Now he has to pretend to be friends with Burgess in order to get them both out of there, because Burgess thinks Hob can help force Dream to give him immortality. (aka, What if they hooked up after the 1889 meeting?) Ch. 9 is about 800 words in. Story is still very much in progress I just have a lot of WIPs, as you can see.

Joke's On You (I'm Into That) - The 1589 meeting goes very different when Hob proposes to Dream, who is so offended that he just can't let the matter go. A very angry, very horny competition kicks off between them. (Aka, what if they hooked up in 1589 when they were both at their absolute worst as people?) I have literally 40,000 words written for the rest of this fic. The problem is, there's big gaps in that first draft I have to fill in and scenes that need to be added. This might be my favorite WIP but it's also the hardest to write with all the smut scenes so it'll arrive whenever I can manage, I'm afraid.

Banana Daiquiris Ch. 2 - Comic-canon compliant (mostly) - Dream fakes his death to go on a vacation with Hob and Destruction. They end up in Tahiti. Destruction plays matchmaker. Hob doesn't know whether to thank Destruction or strangle him. Current word count 6,000 words. I've been playing around with adding on to this fic for ages. One of these days, I'll pull it all together.

Great Triumphs and Tragedies - aka, "Dream Accidentally Cursed Hob with a Normal Life" Fic - Dream learns that from 1689 on, Hob's life has been safe. Too safe. Improbably safe. Nothing bad or extraordinary or even terribly special has happened to him since Dream began to consider Hob his friend. He knows this because during his imprisonment, Hob's life became exciting again and suddenly went back to normal the day Dream was freed. Hob is not convinced that Dream is the reason for this, Dream disagrees. They talk about it. And fight about it. And some things that they've probably needed to talk about for a long time finally get said. (aka, sometimes the author just needs to write their weird headcanon into a 20,000 word fic that's almost entirely dialogue). Current word count: 19,000 words and about 80-90% finished, 3 of 4 chapters written. I'm hoping that posting what I've got will help push me through the final stretch. Real life interrupted for a bit though.

Unraveling Centuries, aka the Hob Amesia Fic - Dream and Hob are dating officially now in the 21st century when Hob gets hit with what seems to be a memory loss curse, shaving off 100 years of his life each day until Dream finds a cure. This effectively grants Dream a walk down memory lane as he is reacquainted with the Hob of each era and, in the process, learns how much longer Hob cared for him than Dream ever realized. Current word count: 40,000 words. Currently writing 1489 (1889-1589 are done) and re-writing the opening. First chapter is posted!

And for fics that haven't been posted anywhere yet (you can subscribe on my Ao3 author page for alerts about them):

"Fairy God Marlowe" - 1589 fixit fic where Hob and Kit Marlowe strike up a conversation while Dream and Shaxberd are talking. Hob and Marlowe talk about plays, and faith, and salvation, and queer love, and what it means to live forever. Hob gets a second chance at a first impression. Current word count: ~5,000 words. Sadly, it's all dialogue in script format. I'd need to convert it into prose to publish which would be a slog. So it's a bit shelved until I find the energy to do so. No, I will not post it in script format, I'm allergic to the thought.

I've got a few other concepts kicking around, but these are the ones that actually have (*does a quick calculation*) over 100,000 words written that I haven't had the chance to post yet?? And it's driving me insane????

Anyway, I should probably pin this post for those curious lol. Feel free to ask me any follow-up questions, I love talking about WIPs even as they ruin my life!

[positivelybeastly]

What have been some of your favorite rps over the years? Have you developed any personal ocs that you particularly enjoy (I know you've got Dark Beasts going on, so if you wanna talk about what's going on there, that'd be cool too!

Oh, this is a tricky one! Not least because it relies on my memory, which is one of my least reliable traits, ha - but I shall do my best!

The first one that comes immediately to mind is this thread with @themckaytriarchy - it was sort of integral to the process of my getting over what X-Force did with Beast by taking control of it, and it also just let me dive into a more horror based thread, which I don't often get to do. Beast is a character who is often very horror-aligned, so getting to really explore that was a ton of fun. I got very poetic in there, but I had a great time.

There's also this thread with the same writer, which was sort of how Cereal and I really got to be such good friends, and how Hank and Tess ended up becoming BFFs. They just had such instant chemistry and bounced off each other really, really well, and I love getting to play Hank as the best aspects of all of his selves - the more mature vibe of his feline self mixing with his younger, gremlin energy, the regret of his modern self mixing in with that, I like when I can pull on all the strings at the same time, if that makes sense.

Oh! Another one is this thread with @silverjetsystm - one of the things I absolutely love about Hank is that he knows goddamn everybody, like, the man's been on every team you can imagine, so there's always some era you can dive into, and his time on the Secret Avengers was so undeveloped, and MK-mun has just been an absolute joy to write with. You can really tell when I'm getting into a thread because I just write reams and reams and reams, and things get more poetic, and Hank starts thinking heavier and heavier things.

Easily another one is this one with @thebettermccoy - I've been wanting a good Dark Beast to bounce off for ages, to the point where I took him on as an extra muse just so he and Hank could interact and I could practise their voices, but then Squirrel-mun took the brave step to take him on, and it's been a joy ever since. It's so gratifying to get to refer to one specific issue from 1996 that no-one but me and Squirrel-mun know about, and they know the lines of dialogue just as well as I do, and we can just dig.

Another one is this one with @themarvelliteraryuniverse - I've lowkey shipped Beast and Sabretooth for years because of Wolverine and the X-Men vol. 1 #8, and getting to actually attack that dynamic and explore it and see Locke's unique take on Victor mesh with my Hank in such an instantly compelling way . . . god, it's a dream come true for me, honestly. Something that often gets lost about Hank is his inherent sexual drive and energy, his repressed primality, his morals interacting with his pull towards the dark, and exploring that is always just a complete joy.

Oooh, ooh! This one with @notmymamasboy - not only is it fun to play Hank as getting used to being pursued again, but Stabby is just so good at throwing this inescapable, unrelenting energy into Raze that makes him feel like a force of nature that Hank has immense affection for and attraction to, but, again, knows has a lot of darkness attached to them. They just bounce off each other really well, and it's probably what fandom would qualify as a crack ship, but I just like the intellectual conflict intersecting with the interpersonal chemistry.

Another one I've loved is this one with @emmatriarchy - I'm an absolute sucker for getting to fill in missing bits of Hank's history, and I always thought it was such a travesty that X-Force never tugged on the very brief but incredibly impactful time where Hank and Sage interacted in X-Treme/New X-Men, because it adds such dimension to their dynamic. Getting to explore that in-situ is a dream for me, and I also just love getting to play Hank from specific periods with specific moods, especially with gloriously obscure and underappreciated muses, with is sort of this mun's whole thing. :)

Ooh, ohh! This one, with @maximummuses - I again felt like this entire thing was swept under the rug back in the 2010s, and it felt like such a disservice to Hank and Logan that they never got to have this conversation, that they never got to just GO AT one another, everything laid out, all honesty, all feeling. This was, again, just another dream for me, and as far as I'm concerned, this is canon and exactly how it happened.

Now we get into stuff that was more dynamics, and also older threads with are, like, a decade old . . . my X-Force Beast's twisted toxic relationship with dusktrip's Wolverine was a delight, and I miss that writer very dearly (they had to stop RPing due to a lack of time) because it let me just drown in a very dark place for a bit in a very controlled way. They, like themckatriarchy, were integral to me coming to terms with what X-Force did with Hank's character.

There are tons of threads with people like brandisnotmygivenname (Abigail Brand), technarchology (Warlock), hulksdontdoweak (She-Hulk), this-city-is-a-symphony (Dazzler), fangedfirecracker (Jubilee), levoleurcinetique (Gambit), healingtheassassins (Elixir), dontcallmejulio (Rictor) - a lot of people from nearly a decade ago who aren't active anymore, but I still think of them a lot, and a lot of the time, I have to remember that Hank's dynamics and history with these people in canon don't necessarily include these versions of the characters, ha.

But, very formative to my interpretation and exploration and journey with Hank.

As for OCs - I'm sort of a one fictional obsession kinda guy, so I don't really have too many! I did have a guy called Danny Jones who was a mutant based on Tito Bohusk from New X-Men. He was from a Young Avengers RP ages and ages ago, and I think at one point he was going to become a Ghost Rider? It was a long time ago, in fairness.

I also have an AU version of Hank called Sir Henry, codenamed Grandmaster, who's inspired by the Ghost Box steampunk version of Hank and Sublime. Instead of being a scientist, he's a Victorian era spymaster with Hank's typical intelligence, but a lot less of his warmth and ethical consideration. He tended to dual wield pistols a lot.

I actually still have some art a friend of mine did from the Exiles RP he came from. This is her OC, Joan, with whom he had a budding romance.

But, as of late, the biggest one has been The Irredeemable Beast, which has spawned a number of characters, the most significant of which is Zeke.

Zeke has always been a clone of Dark Beast, in my conception of him. I always figured that Dark Beast would absolutely be the type of person to keep spare clone bodies around because, frankly, he keeps wagging his ass at people who are stronger than him and can kill him, and the fact that he kept dying and coming back diminished only solidified to me that he would eventually kick the bucket and need an out.

The version of him in Irredeemable is altered slightly, in that he's a recently created clone of Dark Beast - in the original chain of events, he was released as a kid, along with a twin brother, Strauss, and they grew up relying on each other, eking out a meagre existence by living between the lines. They had full lives, but obviously severely disadvantaged, and hated Dark Beast whenever he was around because, well, why wouldn't they?

Zeke's fun to play around with just because he has a lot of Hank/Dark Beast's perception and wit, but he doesn't have the same level of intelligence, knowledge, privilege, or advantages, so he has a bit of a chip on his shoulder - yet he still tries to have fun, which is very Hank. He's a good grounding presence, which is why I decided to make him a central part of Irredeemable, and I have a good few plans for his arc going forward from Dark Beasts.

His narrative arc is sort of meant to tackle a big problem I had with both X-Force and, more widely, the Krakoan resurrection system, which is the amount of wasted bodies/clones, and the lack of thought put into what's a 'real' life and what isn't.

The whole Talon/Wolverine split is treated completely differently to how the clones in X-Force of both Hank and Logan are treated, and I wanted to unpick that, question exactly what a clone's life is worth, and question why we arbitrarily decided that we put more value on Talon/Wolverine, but carving dozens of Hanks and Logans was perfectly acceptable.

Every one of those Hanks or Logans could have been a valid individual in the exact same way that Ezekiel is, and I want Hank to have to think about that, and be faced with the ethical/existential question of the lives he arbitrarily brought into existence in such a cold, mercenary fashion without any consideration for his responsibility for them.

Zeke is just a really good foil for Hank, and Hank absolutely needs a foil, because his internal monologue is fascinating, but it really can get maudlin and self-involved, so you need to break that up with some youthful 'I don't give a shit' energy, which Zeke provides in spades.

One of the other characters in Dark Beasts, Yekaterina, is a pretty minor character, but pretty much any time I come back to my long term plans for the fic, I keep wanting to give her more to do. I think it's really important to me that X-Men have human characters who are friendly and pro-mutant, who make up the other half of the mutant metaphor, because that's something the comics really did just give up on for the longest time, and it makes such a difference to have a human who's like 'no, fuck Orchis, fuck all these racists, I'm with you because it's the right thing to do.'

I also have a tendency to write exclusively dudes, so Yekaterina and Jennifer Nyles keep being given more and more to do so that I break out of that writing rut. Same thing with Olivia Ocampo, the Orchis commander in Dunfee - I explicitly gave her a Marvel branded alliterative name so that I would use her more, and I know where her story goes. I need to get on that, actually, I want to release that chapter close to Christmas if I can . . .

Gorobitz and Taft are pretty shameless Rosencratz and Guildenstern expies. I like giving goons personalities, and I think it's funny exploring the weeds of the arbitrary distinctions of anti-mutant racism through the lens of a pair of garden variety Orchis grunts. They're gonna turn up in future chapters with similar segments.

I think that covers the majority of it? There are other characters who are going to appear later on, including an Orchis agent that I want to be a bit of a surprise. The entire fic is about the ramifications of Hank's actions and dealing with them, and that agent has a backstory that is all about Hank's actions and what they meant for her, and I think he's gonna struggle not to feel like he should just let her shoot him in the head when he finds out what her deal is.

Thanks for the question! It was a really good one!

[stelladess]

My personal.... "review"? rating? for the gacha games that I have played, roughly in order but I do not remember exact order so... yeah Mostly just rambling to have my thoughts down in writing somewhere. No insult intended to any game here or the people who like them whether I like it or not. Chances are I was just not the intended demographic or that my tastes are just different.

HI3: Incredible story, some of the best characters in any media I have ever read, watched or played. However the gameplay is a very mixed bag, the gacha aspects are downright atrocious (even by gacha standards) and it has serious pacing issues. Also a lack of world building and the art direction has clearly shifted multiple times. The story has gotten me to straight up cry though and part 2 has alleviated or fixed a lot of my big issues with the game (more consistent artstyle, better pacing, far more fluid gameplay, better worldbuilding, etc), although nothing on the gacha side of things. One advantage is that it is relatively easy to ignore the gacha aspect and just play the story though since most of the time you get trial characters from the ones who are actually there doing the things in story at the time.

Genshin Impact: Beautifle world, great character designs. The character writing and world building is pretty great in this one.... but the story itself is a very mixed bag. And it has an even bigger issue then HI3 with large amounts of fairly pointless dialogue that neither progresses character or themes, this is improved in the latest regions somewhat from what I have heard but it is a constant frustration earlier. Also it is an open world game with all that entails, which is a type of game I am not particularly fond of. The combat gameplay is also not my favorite. I eventually stopped playing this, around the time of shogun banner...

Symphogear XDU: I am a huge symphogear fan, and it is great to have more stories with these characters and expanding on them in fun ways and putting them into new stories. This part of XDU is great, a lot of these stories are wonderful.... however as a game it is terrible. Also no official english version anymore so it is awkward to get running and to actually be able to read it. I stopped playing because the game side was just... bad. There are some fan translations of various events that are worth checking out if you are a symphogear fan though!

Blue Archive: Love the setting, in terms of visuals and audio it has probably one of the best presentations of any gacha game I have played. The character designs are also great, if a bit limited by the school theming.... I hate sensei so much. I think sometimes the story´s own themes are hampered by sensei being a creep. Now I am not the target demographic for Blue Archive, so me not liking or sticking with it is not a surprise. Just frustrating because of the parts I do like. But, again, just not for me. It was never intended for my tastes. Also the gameplay is basically an auto battle system with *slightly* more strategy on top of it. Which is not really my thing.

Tower of Fantasy: I played it for like a week with my friend. Like with genshin the open world nature turned me off, and the world felt like it stood out less to me, the entire art direction was to me not as strong. I did not hate it is just that I liked it less then genshin, which already could not keep me playing.

Princess Connect RE:dive: My friend recommended this and I had enjoyed the anime, so I downloaded it, the next morning crunchyroll announced they were ending the service for the global version. I took this as a sign of some kind and decided to not try and keep up with it.

Honkai Star Rail: One of my absolute favorite games! The writing is very easy to follow along but with quite a bit of extra depth to be found if you are interested, the gameplay is also simple but requires enough thought to feel like an actual game, visuals and music is some of my favorites too. The characters, story, setting and presentation is all incredible. In particular the comedic writing and the character dynamics are very fun. I play this on a daily basis.

Arknights: In terms of world building this is easily the best gacha game I have played, it also has probably my favorite art direction, with only star rail competing for that spot. The gameplay is strategic and very fun, the big downside is it needs a very big time investment to really enjoy. Lots of reading and the gameplay has a very high skill ceiling even if the skill floor is quite low. It also misses a lot of obvious QoL features that would drastically improve it (something as simple as bookmarking story nodes for one...), but despite its flaws the stories, characters and themes are great. And in particular how these are written in a way that makes it feel intrinsically tied into the world. The planet of Terra is one of the most important aspects of the game. I love that it has a very unique technology level for a fantasy setting too. Also the prose is often really really good. I play this on a daily basis.

Zenless Zone Zero: The chill slice of life vibes of this game are great. New Eridu is a really cool setting and the characters are all great. It is far less story driven but that is fine, it really gives off the vibe of being relatively normal people just living in a strange world. It does feel somewhat "incomplete" currently though, but it is still off to a strong start. Gameplay feels like a far more developed version of early HI3 gameplay, that grew in a different direction from what HI3 part 2 took it in. I lied earlier about the visual direction of star rail and arknights being uncontested, this game might even be better in this department. I play this on an almost daily basis.

[coco-bee]

COCO’S REVIEW: RAMSHACKLE (PILOT)

Welcome to Coco’s Review! Where I review and breakdown episodes, movies and etc and overthink every tiny detail and/or give my thoughts and opinions :D

Today I’ll be discussing Ramshackle by Zeddyzi

Ramshackle is an animated pilot by online creator Zeddyzi that’s been in development since 2010 and has a thesis film, webtoon and now an animated pilot! (I’ll be discussing the Pilot)

It’s about three street rats Vinnie, Stone and Skipp who try to survive the grimy and gross streets of Ramshackle with their various scams and schemes while trying not to die!

The animation is really good! The characters have very expressive faces and sharp silhouettes! All the designs feel so angular and have a very warm color palette! Not to mention there’s the sorta coffee paper or brown paper texture to it that I really like!!

And it takes what Disney did during their Bronze Age with the scribbly line art and that scratchy kinda feel. (even using crosshatching)

I also find it interesting how the town of Ramshackle is set in its own universe and not sticking to a specific timeline with its mix of different vintage aesthetics mixed together! (in the creator’s words)

To me it feels a lot like a mix of the Great Depression and the Victorian Era!

The humor is a lovechild of early season Spongebob and Gravity Falls! Because this pilot is so fucking funny for no reason 😭

It just has so much visual comedy and dialogue that makes you go “Did I hear that correctly??”

I’ll be honest the plot isn’t perfect but the characters and humor easily makes up for it and makes things very enjoyable!! THE LITTLE DETAILS THEY PUT IN THE BACKGROUND JUST CRACK ME UP WITH EVERY REWATCH!

These are some of my personal favorite details but it’s more fun to spot them yourself!!

I also want to talk about Maggot who is a baby the trio found and decided to try and raise!

I’m not going to spoil the ending BUT MAGGOT IS ABSOLUTELY AMAZING!

I love how they didn’t go with just the dumb baby trope with Maggot- I swear he is such an entertaining part of the pilot I’m a little sad he probably won’t appear in the series again 😔

And just the comedy they got out of him is so great I love him smm

The main trio are just as entertaining!

They complement each other so well!! The way they bounce off each other and have very different personalities but the same goals

I’ll get this out of the way VINNIE IS SO DAMN HOT ARGHHH LIKE AAAAA I LOVE HER SMM- Shes so badass and lowkey reminds me of Grunkle Stan personality wise

Stone is basically the mandatory emo boy but now hes upgraded to main character- I love his unlimited supply of alcoholic drinks and I hope tumblr loves him

Skipp is just underrated imo 😭 I love how he has a heart of gold but he also doesnt mind scamming people (he has no other choice anyway

The way theyre so caring with Maggot just warms my heart<33

THEYRE SUCH A GREAT FRIEND GROUP I CANTTT

Anyway there are only a few complaints I have- some of the jokes can be hit or miss and it gets a bit chaotic which can possibly be a little overwhelming. Bug I want to talk about the “scam” aspect of the main premise, I feel like the webtoon explored that part of the trio’s lives much better than the pilot. They could’ve done a lot of interesting scams with a baby but applying him to a baby pageant isn’t really a scam.

The obvious commentary on the high class’s treatment of the lower class feels a bit on the nose in my opinion (like it feels almost too obvious) but doesn’t spoil the experience. Like I said the humor and character still make up for it!!

I highly recommend this pilot and series!!

Congrats to Zeddyzi and their team for bringing this year long project to life!

This is Coco typing… Thank you for reading!

[fuckyeaharthuriana]

mordred through time (movies, tv shows, opera and musicals)

Part 2: From 1982 to 2002

Other Parts: Part 1: From 1949 to 1981 -> here Part 3: From 2002 to 2010 Part 4: From 2014 to 2017 Part 5: From 2018 to 2023

EDIT: There is a mistake in the video, Blind Guardian's Mordred's song was released in 1995 not 1989, so I corrected it in the description.

Complete list of part 2 media with extra information and some of my thoughs regarding the evolution of Mordred’s role is under cut.

We left part 1 with Mordred appearing only as a generic villain not related to Arthur until 1960 where White's novel is adapted into a musical. The musical follows the novel enough to introduce Mordred as Arthur's incestuous son with Morgause. Since then the "son" element has been kept in almost every single adaptation. We also have the first tv iteration of Mordred as Morgana's son instead of Morgause: Excalibur 1981.

This is not only the first time we see Morgana as his mother on tv, but also one of the first time ever. I made a list of the evolution of Mordred's mother in novels here.

You can see Morgause is pretty constant until 1980-1982. I have no idea what happened in those years but for the first time we have the 1980 novel "Firelord" by Parke Godwin itroducing Morgana as Mordred's mother instead of Morgause (in this case Morgause is completely eliminated). The 1981's movie Excalibur does something similar (Morgause is eliminated and Morgana absorbs her role), and I am pretty sure it could not have been influenced by "Firelord", given the two events happened so close in time (and less than a year is not usually sufficient to write and produce a movie). In 1982 Marion Zimmer Bradley published "The Mists of Avalon" which does something similar to Catherine Christian's "Pendragon": Morgause is still officially Mordred's mother by adoption.

From this point onwards you will see that Morgause ends up completely eliminated in her role as Mordred's mother from future movies and tv shows.

Full list for part 2 and more info:

1982 Camelot: I wrote a bit about the musical in part 1. This is a stage adaptation filmed live, so it retains all the songs (even Mordred's songs previously cut in the movie) and Richard Backus plays Mordred.

1984 Morte d'Arthur: A tv movie that probably was preserved thanks to Jeremy Brett's popularity as he played King Arthur. This movie is a strange adaptation of Morte d'Arthur, with the actors playing the scenes on a stage with no dialogue. A narrator tells the tale (and the dialogues themselves). Nickolas Grace played Mordred.

1985 Merlin and the Sword: Also known as "Arthur the King", this movie actually exists in two versions, the cut version missing some scenes (Arthur's funeral apparently!). The movie focuses mainly on Merlin, Arthur, Guinevere and Lancelot and Mordred plays the role of Arthur's son (from Morgana) and a kind of minor comedic fumbling villain. He was played by Joseph Blatchley.

1988 New Adventures of a Yankee in King Arthur's Court: One of the many adaptations of Mark Twain's novel, this one is a bizarre Ukranian (Soviet) movie that depicts Hank Morgan as a destructive force in Camelot. The movie is absolutely stunning, but being in Russian I could not understand the dialogue. Mordred plays a very minor role, he is Morgana's son and he is killed by Hank in a treacherous duel (Hank shoots him). His death is what leads Arthur and Morgana to ally to try and defear Hank Morgan. Mordred is played by Ukranian actor Mark Gres.

1989 Mordred's song by Blind Guardian: the correct date is 1995.

1989 A Connecticut Yankee in King Arthur's Court: This is without a doubt my favorite adaptation of Twain's novel. Here Hank Morgan is actually a little girl called Karen. Mordred is a comedic-like antagonist and the main antagonist of the movie, played by Hugo Blick (who is mainly known now as a movie director).

1989 Doctor Who Battlefield: This is a 4 episodes arc in the 26th season of Doctor Who, with the Seventh Doctor being revealed as Merlin. Later on it was adapted into a novel. The episodes are set in modern times, with Morgana and her son Mordred having survived Camlann and travelling through time. Mordred is mainly shown to hate a new knight called Ancelyn who also survived Camlann. Christopher Bowen played Mordred.

1995 Mordred's song by Blind Guardian: So I decided to add the few songs/album that acts like a "Mordred's point of view/as if he was singing" kind of media. The singer here is singing as Mordred. It was also used in this 2016 rap song!

1998 Merlin: Probably one of the most popular arthurian miniseries! It follows the life of Merlin, from his childhood to his elderly years and the second episode mainly focus on Camelot and Arthur. Mordred is Morgana and Arthur's son, magically aged (like we saw in Excalibur 1981) and he becomes the main villain of the story alongside Mab. He is played by Jason Done.

2001 The Mists of Avalon: This is a miniseries adaptation of Marion Zimmer Bradley's novel, focusing on Morgana, Arthur and Guinevere. In my opinion it makes the novel much more palatable and easier to digest. Mordred here appears once more as Morgana's son, but he is a adopted by Morgause and raised to hate Arthur. Mordred is the main antagonist in the second part, and his character here is turned into an almost sympathetic villain. Hans Matherson played adult Mordred (I was obsessed with that man 15 years ago).

2002 Justice League (and the 2004 sequel Justice League Unlimited): Justice League (two seasons) and Justice League Unlimited (3 seasons) are animated shows (for a younger audience) which adapts some stories from DC (both DC and Marvel have interations of Morgana and Mordred). Mordred is a kid (Morgana put a spell on him to keep him young) and immortal, both him and Morgana are villains who use magic. He is voiced by Soren Fulton.

A small note: All these movies here are for tv! Cinematic releases for arthurian movies in general do not seem to be as prominent. It is kind of heartbreaking noawadys to see the disappearance of cheap tv movies.

[intervalart]

I absolutely love your art of Sundown, he’s one of my favorites (next to Akira) 🙂 honestly he’s hilarious in the Dominion of Hate, he’ll literally fight Akira for no reason, he’s got this “tired single dad handling 6 kids” energy to him, and he even like…scolds Oersted? It sounded like? (His voice actor, Reagan Murdock, played Aki Hayakawa in this anime called Chainsaw Man, so i guess he has experience with voicing a guy who needs to wrangle teenagers 😅) do you happen to have any hcs for him?

I'M SO SORRY IT'S TAKING ME SO LONG TO GET TO THESE ASKS, i'm packing to move, so that's taking up most of my time and energy ;;;v;;;

BUT THANK YOU SO MUCH WAAAAAAA, I'm glad you like how I draw the schüt man <333 (who has somehow accidentally become The Muse, whoops lol)

Sadly there are currently no in-game dialogues showing how he interacts with the other party members (party banter like octopath is a common DLC request), but Mad Dog has a line about Sundown "being bad with the little ones", which is either Mad Dog's interpretation based on what he wants to see, or Sundown's stoicism and bluntness really does tend intimidate the kids. (I don't watch CSM so I will take your work for it... But I'm sure Mr. Murdock does a great job! He has a great voice for it...)

But from what we do know for sure (from his recruitment quest and his dialogue to Sin when out of the party of the final 4) is he is very tired, and wants nothing to do with you.

tbh that's part of the reason I'm fascinated with him, is in a whole party full of spunky/quirky anime youngsters who have Psychic powers, martial arts, laser canons, ninja powers, etc. (the oldest being Masaru who's usually hc'd at 25 years old for the meme).... there's just. A guy. Maybe late 30s/early 40s. With a gun.

People joke about Masaru being the Straight Man (which is true to some extent), but I feel like he handles the weirdness a bit better than Sundown does, just on account of his adaptable nature. If Mad Dog's reaction to O. Dio's true form was any indication, supernatural stuff is... Not normal for their time period. So I think Sundown is much more the Straight Man in the DoH just cuz he stands out so much from everyone else. (not that he isn't silly in his own way... he's based on Clint Eastwood ffs lol)

...and I wrote all of this text without even getting to my headcanons, so if that isn't any a warning for how much I can ramble about him at length, then let this cut should tell you. (you asked, sorry not sorry lol)

So warning in advance, there's gonna be a teeny bit of overlap with Mad Dog hcs on some of these because of how much the two intertwine with each other. They kinda come as a package deal.

Some of my hcs you've probably seen in this comic. Most notably; not just the survivor's guilt, but also in the panic of the raid on the town and the flurry of using the Hurricane Shot, he's not entirely sure if he only shot the invading bandits. :( He worried he might have gotten some townsfolk in there too. (Mostly illustrated on pages 5-6 when all the figures kinda blend together)

At the time I made the comic I thought it was just a theory that he'd placed the bounty on himself, I somehow missed the fact that it was canon. But the fact that it is canon definitely drives home both the survivor's guilt, and him fearing death despite having a death wish. (There's much easier ways to off yourself homie, you don't gotta have a bizarre death ritual with randos obsessed with fame and glory... </3)

On the earlier topic, he might not so much be bad with kids, as he is... blunt. He doesn't sugar coat stuff, and he's probably very hands-off. If he really was the respected sheriff of [Unnamed Town], he probably had some experience with kids in the past, but I suspect between the trauma and some degree of wanting to keep everyone else safe, he's cold and aloof on purpose. He was probably more sociable before The Incident. (Much like a certain blond knight)

But he does work well with others in the DoH and is brief but polite to everyone, even the younger characters. (I cry every time he says "thanks" or "sorry" when another party member heals him... TT0TT)

All that aside, some of the more domestic hcs:

• I think Sunny is very skilled at sewing!! Living out in the wilds and not having access to new clothes very often/if at all means he had to get good at repairing his own clothes. And between sleeping out under the stars and the bullet holes, he has plenty of practice... (MD called him girly for it once, and with a completely straight face, Sunny said "Why do you think being self-sufficient is inherently feminine...?". MD never mentioned it again.)

• The trade-off however is that he's... Not an amazing cook. Everything is either eaten raw or roasted over a fire, and he doesn't have a ton of access to spices and herbs in the wilds... Very utilitarian in his cooking methods.

• That ties into the next point; the dude's got a cast iron stomach. If the guy can canonically down an infinite number of glasses of milk (LONG after most adults develop lactose intolerance), the guy can eat pretty much anything. Including whatever rattlesnakes (and cactus) he found to eat.

• This is actually canon, but he does know Spanish. If not fluently, at least enough to understand it but not speak it. (I hc him as fluent though.)

• Sunny is probably a very skilled dancer! If for no other reason other than dodging bullets for years lmao. MD catches a glimpse once. Sunny looks him dead in the eyes and says "No one will ever believe you."

• I've already discussed this, but Sunny probably used to be left-handed, and either due to societal necessity or an injury, he became ambidextrous!

• Now that I'm thinking about it actually, I drew Young Sundown in the comic with much less facial hair to just make him look younger... But it actually makes sense that between the depression (and possibly self loathing), he kinda uses the facial hair as like... A mask? Like, so he doesn't have to see himself in a way? (I might be reading too much into it, the OG art does show he shapes his scruff and it's not completely unkempt, so maybe it started as Depression Scruff, and he just shaves it as best he can with a knife lol)

• I used to hc that he didn't name his horse because he didn't want to get attached. (He just calls it Horse) But after talking to another Really Cool Wild West Artist in the JP fandom, it's not impossible that he could have had the same horse the entire time... So that's not a hill I need to die on lol.

• For obvious reasons, he's a hard guy to get to laugh. If he does, it's usually wry and understated. But on the rare occasion he does genuinely laugh, he's more inclined to stifle it at first, more out of habit than anything else. It takes a lot to get him rolling in the aisles.

...But that's getting into BBFF territory, which is a whole 'nuther post, and definitely not something I have rambled about at length and stored on a hidden discord server.

AND that's not talking about my Mad Dog hcs......

-gripping you anon- Do you see why I am in hell.

[transtranslations]

Nobody Expects The Japanese Jooster: Some Fun Translation Notes

Hey, guys. Are y'all aware that in the Japanese translation of "Bertie Changes His Mind", the line where Jeeves says "I'm fond of Mr. Wooster" is translated as 「私はウースター様が好きでございます」 (or, "watakushi wa Wooster-sama ga suki de gozaimasu")? Because I'm sure not normal about this.

Tl;dr: this line now reads like a love confession. (If an amusingly keigo-ridden love confession, because even in his internal dialogue Jeeves is physically incapable of not sounding aggressively polite.) More under the cut.

Now, please note that I am not fluent in Japanese, so take all my words with a grain of salt. But I have, at the very least studied it for several years, am currently living in Japan, and have listened to a great number of Japanese love songs. And this is how I would like to share that if you "ga suki" a person, this can and very often does mean you are in love with them.

Technically, "suki" just means "like". If you like apples, you'd say "ringo ga suki". If say, tennis is your favorite sport, you'd say "tenisu wa watashi no ichiban suki na supootsu" - with "ichiban suki" literally meaning "number one like". "Daisuki", or "big like", is the one that is often used for love - but boy is just plain "suki" used a hell of a lot.

Take this translation of "Ano Yume o Nazotte" (or "Tracing That Dream"), for example. Here, the translator has written it literally as "I like you", but contextually the song makes it pretty probable that it's a confession of romantic love. Or have a look at the Project Diva translation of "Suki Kirai" ("Like-Dislike" or "Love-Hate"), which makes "suki"'s usage in romantic love quite clear. There's even a whole conversation about the subject of love confession and translation in The Great Ace Attorney - this links to a fan-translated Let's Play so the original Japanese dialogue is visible, but the conversation happens similarly in the official localized version, though it manifests a bit differently. Regardless, both versions discuss "suki" as used to confess feelings of love.

What I'm saying is, wow, holy shit, Tamaki Morimura made a rather strong choice when using "suki". Because no matter the intent, that potential implication is absolutely going to be present in a reader's mind. And if you're wondering why I know this in the first place, it's because this line is used (in very slightly altered form, as "Wooster-sama" is exchanged for "the young master") in the manga, Please, Jeeves, which in large part uses Morimura's translation for its text, and... well. Let's just say our good pal Bun Katsuta seems to rather leaned into that with the expression.

Yeah.

And this goes in tandem with other aspects of the manga, like an added line that, to my knowledge, is not present anywhere in the original text (certainly not in the story that chapter adapts, "Jeeves in the Springtime"), in which Jeeves says that Bertie's shortcomings do not prevent him from being "beloved as a person". Not to mention the other choices the manga makes, such as having Jeeves wink at Bertie incessantly, or occasionally having hearts float around Bertie when he talks about Jeeves, or the panel at the end of "Without the Option where I swear to God it looks like Jeeves is trying to reach for Bertie's hand.

So, between the official translation and the manga adaptation, I'm not saying we have a Spanish Destiel situation on our hands... but I'm certainly implying it.

(My final note is that this is one of the favorite book series of Empress Emeritus Michiko. Which, with this added context, is very funny to me. I wish she had an open email address so I could ask her if she thinks they're in love.)

[gwenllian-in-the-abbey]

"You told me it was our duty to hold the realm united against a common foe. By naming me heir, you divided the realm. I thought I wanted it. But the burden is a heavy one. It’s too heavy. If you wish for me to bear it, then defend me. And my children." 

Episodes 8

What is your opinion on this speech?

Rhaenyra is absolutely correct that Viserys divided the realm when he named her heir, despite telling her it was her duty to hold the realm united, and that he placed a heavy burden on her shoulders and didn't do a whole lot for her in terms of practical support. I think it's interesting that the show chose to highlight how neither Rhaenyra nor Aegon particularly want to rule. I think for show!Rhaenyra, it makes a good deal of sense. I always got the sense that if Viserys had disinherited her, show!Rhaenyra's pride would be wounded, but she would probably be at least a tiny bit relieved. It's that same pride that won't let her just admit that it might not be worth it, that maybe she'd rather just step back (and there's a cut dialogue with Daemon in which she voices these doubts to him and he immediately shuts her down saying she's weak like Viserys... hm!). In light of this, it isn't particularly out of character for show!Rhaenyra to be considering the peace offer Otto delivers (book!Rhaenyra is another story, she has no doubts and does not give a fuck about keeping the realm united, she wants to win, period). She has a good life on Dragonstone, her kids are out of the public eye and aren't facing accusations of bastardy, and Daemon has his dragon hobby to keep him occupied. She doesn't need the throne, and if it's not actually that important to Viserys, then he should just say so. If he really wants her to be queen and has a good reason for it, then do something. She has a point.

That said, if Rhaenyra doesn't want the burden, she can give it up at any time, and if she actually does want to be heir, she's not doing herself any favors either. She is the one who stayed away, who went to Dragonstone and was absent from court while the green council built up their power base. And while yes, Dragonstone is the official holding of the heir to the throne, most heirs split their time between King's Landing and Dragonstone because it's important for the heir to learn the workings of the realm and to make connections and alliances. Dragonstone is only a few hours away on from King's Landing on dragonback, and it's a relatively small holding with only a few villages, so it's not as if it requires its prince or princess to be in residence at all times. Aside from that, Rhaenyra also had three bastard children and put them in the line of succession, which she knew was going to cause problems (and in this, Viserys did offer her a ton of support, including allowing his own son's maiming to go unpunished and Vaemond to be killed to maintain that lie). So it kind of goes both ways. Rhaenyra acts like she doesn't really care all that much about being heir beyond the validation it gives her, that she is the favorite child, the one he chose, and Viserys stubbornly keeps her as heir but does nothing to shore up her claim or mitigate the threats against her, and it's divided the realm despite Viserys insisting the realm must remain united, so what are we actually doing here? I liked this scene, I think it reveals a good deal about show!Rhaenyra's mindset.

I think if done well, the show can have Rhaenyra really spiraling due to grief and rage, going from feeling like she should preserve the peace and that maybe it isn't worth it, to feeling like she has to win out of spite (and I think this can apply to both sides. You have Otto and Rhaenys giving Alicent and Rhaenyra similar speeches in the trailer) and a desire for vengeance. I don't... hate this? But the show has to stop giving Rhaenyra the chosen one rightful heir halo and admit that she doesn't go to war for the good of the realm, but for her own very personal reasons.

[egg-emperor]

We’ve seen your love for Modern Eggman (high key I respect it) but what’s your opinion on Classic Eggman, design wise? I mean it’s literally the doctor just a few years younger(?) do you still simp or do you prefer his modern look?

I guess I do have a slight preference for modern Egg design wise + he's my focus as he has more cutscenes and dialogue to appreciate and analyze. But in my pinned post I have a lot of classic Egg merch too and that's because I actually feel just as much love for him as I do modern! It's really just that modern has more official stuff to simp over overall lol

But both classic and modern Egg play a part in my initial love for him around the same time, as my first lot of games consisted of both. I love classic Egg's perfectly spherical round body compared to modern Eggman's actual egg shaped body, it's super cute. He is a BALL! And he's absolutely just as handsome and sexy as classic as modern Egg

He's cute, handsome, funny, evil, cool, joyful and mischievous as he has a blast being an evil bastard, and he's as round and spherical as the world he wants to conquer... He's perfect in every way 💘

Classic Egg is just as evil and dangerous as modern too but looks like such a cute jolly whimsical fellow in comparison, he could much more often be mistaken for being innocent and nice and I love how he very much isn't despite this. The contrast of his dark actions to his cute design is great and makes him even more charming and lovable

Besides his gorgeous round body I also love the little sea cadet collar inspired yellow "cape" he wears (yeah it's not actually supposed to be a cape)

and how the yellow triangles of it at the front + his mustache when the bottom half of his face is obscured makes him look like a walrus his stache the whiskers and triangles the tusks,

his design just gets cuter with every detail!

I was delighted to see more classic Egg in Superstars most recently, he's such an adorably mischievous and happy giggly guy there when he's scheming and causing trouble gleefully and he has so many fun animations that make me laugh, all of which I GIF'd in my #Sonic Superstars tag but here's some favorite examples of that

He fills my heart with such joy 🥰

So yeah while I'd say I have a slight preference for modern Eggman stuff, I feel like my amount of love for his classic design and everything else about him in general is actually just as big. He is the exact same guy after all, just from the past and possibly a little bit younger but definitely still an old guy himself. He's lovable in all stages of life 💜

I also have a tag specifically dedicated to classic Eggman stuff if you're interested to see me talking about and gushing over him specifically more in general, it's #classic (though I'm probably gonna update it to #classic eggman via tag replaced on PC to make it more specific and easier to find at some point)

[ducktracy]

ltc is such a conflicting show because it is probably one of the ones where porky is brutally beaten the most but also is the cutest he has ever been in years. pearl of my dreams has SUCH cute porkies in it

TELLLLLLL ME ABOUT IT HAHA!! i feel the same way! LTC’s my favorite LT adaptation thats come out, i have such a deeply personal connection with it and it means more to me than words can articulate. i miss waking up at 5:30 in the morning to watch new batches drop and have my friends and coworkers who worked on it wair for my reactions. i love the show so so so dearly, i’m so glad it exists and it means the world to me. at the same time, i definitely have gotten a bit more critical of it as my knowledge of both the original shorts have strengthened AND the knowledge of the modern cartoon pipeline has strengthened! much of the LTC crew has migrated onto TPSS, which is WONDERFUL, if any of you guys are reading this you rock i love you. but that also means i’m able to have a more intimate look at how LTC was made since a lot of the same patterns and demands are on our show, because it’s the same cartoon pipeline! so, with that knowledge, i’m able to pick out “this is a side effect of the modern pipeline, the classics wouldn’t do this” etc and generally taken out of it a bit more. i’ve grown more critical not because i like the show less, but i just Know More now and my vision has broadened

WITH ALL THAT SAID! that has definitely allowed me to see that the Porky and Daffy shorts can get pretty repetitive and follow the same formula often of “Daffy makes Porky’s life miserable and Porky gets beat up a lot”. THANKFULLY(?), they’re still easily my favorite shorts of the entire bunch, they have their flaws but i still absolutely love them, and the repetition doesn’t bother me as much with them because the novelty of the pig and duck being together on-screen is good enough for me LOL. very easy to please i know. BUT YEAH, one of my biggest issues for sure is how poor Porky can never catch a break :( i’m glad that they seemed to try to rectify this though in recent batches! Crumb and Get It is one of my favorite shorts of the entire show, and you could describe that as “Porky makes Daffy’s life miserable by basically doing nothing”. Stained by Me is another very big favorite of mine since Porky gets to act a bit retaliatory towards Daffy which i love! i thought it was definitely one of the more faithful to the classics. (and i have to say, i bring up the classics the classics the classics a lot—i know these shorts aren’t trying to be 1 to 1 recreations of the classics. i just remember when these shorts were being marketed as the sort of second coming of the classics, and so that’s always stuck in my mind a bit/i have terminable Comparison disease which has thankfully been letting up, but it is stubborn here since these are the closest TO the classics in format and structure. so i realize me going “okay but it wasn’t like the classics” when they’re not exactly trying to be 100% like the classics is… ignorant? IUNNO! I KNOW MY HYPOCRISY LOL)

as always, i have past thoughts that reflect what i’m trying to say a bit more effectively, the second one especially relevant to this ask:

i think it comes down to just a sort of caricature and magnification of the original dynamics. i have many more thoughts that are refusing to come to me at this moment… BUT YES. even in spite of all that, i still love LTC and still love the Porkys and Daffys. i’ve noticed that the shorts with less dialogue (Wet Cement, Battle Stations, Duck Chocolate, Crumb and Get It) tend to be my favorites, since i think the overabundance of dialogue—and very OBVIOUS dialogue, like a character pointing to an object and saying “look, it’s [object]!” in these shorts is one of its biggest trappings. and all of the above—maybe with the exception of Duck Chocolate in some parts, though a lot of it is pantomime driven and wonderfully so—have the characters with comparatively subdued natures. not as much screaming or hysteria or madness

ALL OF THIS IS TO SAY, i am VERY excited for TDTEBU (gee what gave it away) because i’m excited to see how the demands of a longer format give way to more subtlety with the characters. when the film first released in Germany and i was spending every waking hour of the day trying to find any sort of reaction or information and frying my brain (and been doing the same this past week :’)), i found a podcast reviewing the film, and one person described it as a “Porky movie” centered on his growth which makes me extremely excited and hopeful that there’ll be more subtlety and sympathy for his character

AND YES, in spite of it all Porky is SO ADORABLE. i haven’t seen Pearl of My Dreams since it dropped, i really ought to again… i was just thinking the other day that i couldn’t remember if they made a “pearls before swine” joke in there or not, and if they didn’t then it would be highway robbery. more incentive to rewatch!!

[snips2112]

20 Fic Writer Questions

Thank you for tagging me @ladylucksrogue and @aknightreaderr! Excited to do this question game!

1. How many works do you have on AO3?

26

2. What's your A03 word count?

162, 887

3. What fandoms do you write for?

I write for the Star Wars fandom! A long long time ago, before I was confident enough to post my fics, I wrote some Lord of the Rings fan fics that will never see the light of day XD But now my main fandoms are The Clone Wars and The Bad Batch.

4. What are your top five fics by kudos?

That Familiar, Yet Unfamiliar Feeling - 205 (Rexsoka)

Tihaar? More Like Truth Serum - 118 (Rexsoka)

Hold On to Me - 111 (Rexsoka)

Not Strong Enough - 86 (Gen, Tech centric)

Please Don't Make it Real - 84 (Gen, Crosshair centric)

6. What's the fic you wrote with the angstiest ending?

Hmmm I have a few, but I think Lost Without You is pretty darn angsty. The general premise is that it is a Rexsoka fic I wrote where Ahsoka is in mourning after Rex passes away :(

7. What's the fic you wrote with the happiest ending?

I would say Tihaar? More Like Truth Serum has the fluffiest, happiest ending! What can be better than an adorable, drunken Rex admitting his feelings to Ahsoka :)

8. Do you get hate on fics?

I haven't yet (and hopefully never will), everyone has been very kind in the fandom, which I appreciate!

9. Do you write smut? If so what kind?

I don't! I'll write a little bit of spice into my fics but I always tend to keep it pretty mild, and rely on fade to black when anything further is going to happen.

10. Do you write cross overs? What's the craziest one you've written?

I haven't written any cross overs but I am working on an AU of the Bad Batch as Formula 1 drivers, which is probably the closest I'll ever get to a cross over.

11. Have you ever had a fic stolen?

No.

12. Have you ever had a fic translated?

Nope.

13. Have you ever co-written a fic before?

Not yet, but I have some tentative plans with one of my lovely fellow fic writers to collaborate on a fic for her fanfic universe! Not sure how much I should say about this so I'm gonna leave it at that :)

14. What's your all time favorite ship?

I think its a tie between Crosslo (Crosshair and my OC, Arlo) or Rexsoka! I love both of these ships to death (as you can probably tell from my writing). 

15. What's a WIP you'd like to finish but doubt you ever wilI?

Ahhhh this would be my Kix the burnt out medic fic (that is literally the placeholder title in the word doc)! I really want to finish this but it is pretty heavy on the angst so we will see if I can make it through the long dark that is this fic! I would love to share it, but it's just a very heavy one to write.

16. What are your writing strengths?

Hmm I would say I think I do a good job of characterization and getting into my character's mind sets and pulling out emotion in my writing.

17. What are your writing weaknesses?

I would like to improve my ability to set the scene in my fics. Sometimes I see the scene very well in my head but forget to write it into my fic XD

I would say I also admire some of my fellow writers ability to write off the charts chemistry and sexual/romantic tension between their characters. Although I think I have some ability in this, I would absolutely love to improve it more as I think I have room to grow!

18. Thoughts on writing dialogue in another language for a fic?

I'll throw the occasional Mando'a word in if I'm writing a clone centric fic, and I usually use Star Wars specific swear words but I would never write full passages of dialogue in another language, at least not at this point.

19. First fandom you wrote for?

Technically Lord of the Rings, if you count my never to be posted fanfics from a long time ago XD But the first fandom I ever posted fanfic for was Star Wars!

20. Favorite fic you've ever written?

Oooo I am particularly proud of Disobedient Hands, which is the first fic in my Crosslo series for Crosshair and my OC, Arlo. I felt like I really did a good job of getting into Crosshair's mind in this one, as well as creating the beginnings of what has come to be my most favorite OC of mine, Arlo (not that I have many, but of the few I do, she is my fav). I truly love all the fics in this series though, and it's been fun exploring the relationship between Crosshair and Arlo, and watching them grow through my writing. The series is ongoing and can be found here on AO3 if anyone is interested <3

Tagging: @tealmisthams, @acatinwinterfell, @queen-of-mandalore, @melting-houses-of-gold and anyone else who wants to participate!

[neitherabaron]

just wanted to ask because i thought the answer might be interesting— what’s been the hardest part of working on the death of byron von raum (and/or any other projects!) so far? and conversely, what’s been your favorite part?

thanks!! hope you’re having a good day :-)

TW: Mental health

I'm gonna try and give you an in-depth answer because I'm super aware that it's been a long time since I provided any real updates on Byron. Your question's very apt because there are things about the project that I absolutely love, and others that I'm really struggling with.

To start with the good stuff - my favourite part by far is the music. I really believe in these songs and the ones I've written so far are killers. There's one about Byron's childhood sung by his parent. It's got an ostinato on violin (and maybe Uillean pipes? budget depending) that runs through it and evenually builds into a sweeping instrumental section with a chord progression I'm a little bit in love with. And the standout song is the one that probably would have been Marius' signature song with the Mechs if we'd gone in that direction back in the day.

But on the other hand, it is very, very difficult for me to work on Byron right now. For a while now I've been searching for the right way to explain that even though I believe in the project, it's not coming anytime soon because of that.

The thing is, the story is bleak. Way, way beyond Mechanisms-bleak. Like, I don't know how it will be recieved by other people beyond the friends I've shared it with, but it's bleak enough that I actually find it really distressing. Somehow I've written a story that pushes almost every one of my triggers and speaks to everything that personally frightens me.

But it's absolutely Marius' story. I can't change it and try to keep it light - everything that can go wrong for these characters has to, must go wrong. I care about them and they start with so little and they lose everything and they're awful to each other in between.

I still work on it, but I have to handle it and myself with care, so there's no timeline or work schedule I'm keeping on it right now. When I have a good idea, I sit and write for an hour if I can. But (and I've mentioned this on my Tumblr in the past without naming the project) every time I do that, I have a panic attack, and I'm on edge for the next 24 hours after. Always. I want this story to exist, but at the moment I don't want to put myself through the experience of making it. It's just me and I have nobody else to back me up. The Mechanisms covered some upsetting stuff sometimes, but we had friendship and support and camaraderie. To make this story happen, it'd probably need to be the main thing I do for about a year. And I don't think I can do that as long as the plot and themes are affecting me like this.

I think I'd also need the plot and characters to have more nuance than I'm likely able to convey in a Mechanisms-adjacent song-narration-song album format. I think I've mentioned in the past that I don't think it's a particularly effective way to convey complex themes, but some elements of the plot demand a deep look at the characters, because they do some truly horrible things and we need to see what brings good people to that point. So if I reach an emotional place where I can work full-time on Byron, I'll probably explore other ways to tell the story. One possibility is doing it as a mini-series with a song in every episode, so I can explore the characters through dialogue. An episodic release might give me a way to work through it at my own pace while looking after myself, I don't know.

I also have to be honest, when I started work properly in January 2020, the world felt like a very different place. With everything that's going on in the world right now, things I couldn't have imagined back then, I don't know the extent to which this story qualifies as entertainment anymore. Would I feel comfortable putting out this story full of war and horror and misery and saying it's a fun thing for people to enjoy?

To tell the truth, I don't think I want to make upsetting things at the moment. I just did Rat-tailed Rover and had a blast. I need to have some surgeries done on my abdomen before I'll be ready to go again, and there's no timer on that, but Carnaval des Gobelins is fully written and ready to record once I'm recovered. And I have so many ideas after that, that I really think I could go as long as people care to listen. I'm having so much fun and getting so much artistic satisfaction writing songs about rat paladins and gay goblins and I'm not giving myself panic attacks doing it. I'm aware that's probably not what some people were hoping to hear re: an update on Byron, but right now I feel like I'd rather make you wonderful people smile, laugh and feel represented than present you with a really bleak story where I make a character you care about suffer over and over again.

Anyone who's been following me here or on Twitter will know that I love Byron, I adore Marius, and I value my time and friendships shared with the Mechanisms beyond anything I've ever done. That's part of who I am. The goodwill of my listeners and the Mechs fandom means the world to me. So this is not me saying that The Death of Byron von Raum isn't coming. But I haven't figured out yet how to deliver it in a way that keeps me mentally and emotionally safe and happy. I don't know when that will be, except that it isn't now. In the meantime, I'm going to throw myself into Carnaval des Gobelins (well, as soon as I've finally had my op - it's been a year and counting) and I'm gonna give you the ten best songs about folklore monsters you've ever heard. And I'll keep it up as long as you're there to listen. Thank you x

[anneapocalypse]

22 and 25 for dragon age? 👀🔥🔥

🔥 Choose Violence Ask Meme 🔥

22. your favorite part of canon that everyone else ignores

I said politics before, so I will point to another related thing I love that I think gets neglected and that's the lives of ordinary people. I wrote about this a bit in my post on why The Hinterlands are Good Actually and a big reason I think they're good is the insights they offer into the lives of commoners and how those lives have been disrupted.

This is of course directly related to politics. 😉 I've said it before, and I'll say it again: if you want to understand politics, fantasy or real world, one thing that's crucial to understand is the most people are primarily concerned with the material wellbeing of themselves and their immediate loved ones. If you understand this, you will understand why common people are doing what they are doing and what actions will sway public opinion. Pointing out that people are upset about having their houses burned down and their crops destroyed is not vilifying the mages for rebelling against very legitimate injustices. But it needs to be acknowledged that the Fereldan farmer is probably most concerned about her crops at this particular moment, and if you, the protagonist, would like to sway her opinion about the mage rebellion, you might want to do something to help her family survive the winter first. Welcome to politics. What the nobility are doing matters, but what the common people are dealing with also very much matters.

25. common fandom complaint that you're sick of hearing

Basically every "this companion character doesn't grow or change!" complaint coming from someone who did not exhaust their dialogue tree and never took them anywhere. Yeah, you are gonna get a pretty shallow view of a character if you don't interact with them, boss, Idk what to tell you. I'm sorry if people are mad that character development happens in party banter but that has been a Feature of this series since the first and it's probably not going anywhere.

Moreover, 99% of the time when I hear this complaint, the character actually does grow and does change, they just a) don't do it in the specific way someone wanted, and b) the player character didn't get the opportunity to personally browbeat them into changing and then be praised for how right and correct they were the whole time.

Fenris and Sera are both really good examples of this (and both characters that I love). Fenris absolutely does change by the end of DA2. His journey is in recognizing the ways in which he misdirects his anger and lashes out at the wrong people (often apologizing when he does so!) and most critically achieving a level of safety that will allow him to begin to lower his hyper-vigilance (which can only be accomplished with Danarius's death). But because he doesn't get all the way to reversing his opinion on mages and become besties with Anders, people will insist that he doesn't have growth. Sera's journey is, like most companions, messy and incomplete, but she also has one and particularly by Trespasser has become a lot less knee-jerk in her reactions to elfy things and begun to acknowledge how much she's really been hurting herself. But because she doesn't fully embrace elven culture and incorporate it into her identity, for some fans it'll never be enough.

[chipthekeeper]

Ranking Velcinta moments by how insane they make me feel, a(n overly) comprehensive list

As promised, here's my way too detailed ranking of all 18-ish of their moments. This (predictably) got obnoxiously long toward the end, so venture under the cut if you actually care and/or don't mind a lot of scrolling.

18. Valley One (Ep. 6)

I'm relatively sane about this. Except when I think about how they probably slept in that little hut the night before. Also when I think about how this is one of the very few shots in which they're both visible and (relatively) in focus.

17. "No farewells tonight." (Ep. 5)

Mostly was insane about this when the episode first came out and I was SO. FUCKING. WORRIED. that they were gonna die in the next one.

16. "What are they doing?" (Ep. 5)

Girlfriends who scowl together stay together (please Tony Gilroy I'm begging you).

15. Feeding the dray (Ep. 5)

The fact that Cinta is smiling here is what makes me most crazy. Also I just adore this flash of simple domesticity with them. Ahh, what could have been....

14. "Have you heard from Cinta?" (Ep. 7)

Vel not being able to look Kleya in the eye when she asks about Cinta makes me crazy mostly for the whole "Vel/Kleya exes" plot but of course this whole part had me jumping out of my seat on first watch.

13. "The rebellion comes first. We take what's left." (Ep. 9)

VEL FINDING STRENGTH IN CINTA'S WORDS AND USING THEM TO HELP MON WITH HER DOUBTS TOO I'M !!!!!

(went all-caps way before I thought I would, maybe this one should be higher....)

12. Into the smoke (Ep. 12)

She looks so worried when Cinta isn't where she's supposed to be and then she sprints INTO the melee while everyone else is running AWAY. I'M NOT FINE!!!!

11. At the campfire (Ep. 4)

I swear to y'all that the first time I watched this episode and saw them sitting so close I was like "oh. hey" fully intending to ship them even if that was literally all we got. And then holy fucking shit we got everything I was too afraid to ask for. So this moment always has a special place in my heart.

10. "What's she doing?" (Ep. 4)

It. Makes. Me. CRAZY. That the first time they share a scene together, they're literally always in the same frame.

CRAZY.

Like....they've been connected from the VERY beginning, even if the show revealed them being together rather slowly. Also it's everything to me that the first time we see Cinta it's Taramyn asking her what Vel is up to bringing a new guy in. Because if anyone would know, it would be her.

9. "Stay focused, Clem." (Ep. 5)

All of the territorial Vel stuff is great to me but I especially love this moment. First of all Cinta's little smirk. And also it's just so....idk it's a quiet moment of contemplation and probably anxiety but we can't not take a second to tell Clem to back off.

I'm combining this with the "you can dress yourself" bit too because that moment just makes me laugh with how Vel's always in the background watching and then immediately jumps up to give Clem the business and use his scuffle with Skeen as an excuse to mark her territory.

8. "Closet?" "Empty." (Ep. 12)

That bit of dialogue made my gay little self so happy and then they went and did the whole "that's blood" "it's not mine" thing and I'll never recover. Vel being so concerned that she won't even let Cinta keep packing, but then at the very end she's a little impressed/turned on??? 10/10 no notes. (okay I have one note and that's "you're really just going to leave me hanging like that for two years?????" but that's a different post)

7. "Get down!" (Ep. 6)

Truly one of my favorite scenes in the whole show is when Vel almost loses her shit at the top of the dam. The tension is insane, her fear is PALPABLE, and I absolutely love that it's Cinta just calling her out for stalling and then yelling at her that breaks her out of it.

But the thing that makes me feel most crazy about this scene is this:

Someone please explain to me WHY Cinta makes the jump while looking directly at Vel. EXPLAIN IT TO ME. Or else I will just continue to believe it's because part of her is scared up there too and looking at Vel is what helps her take the leap. That is a crazy thought -- I'm pretty sure she's fine -- but if it's not that then I don't get why she's even facing that way??

6. This (Ep. 8)

THE MUSIC. THE FADE. THE SORROW. I like literally can't even talk about this one. But it does make me feel a lot how obvious it is that Vel's thoughts are soooooooooo far from the fight here:

While at the same time there's not a thought in Cinta's head about her:

Breaks my fucking heart.

5. "No. She didn't tell me." (Ep. 5)

Whew. This moment. For a while I was mostly happy about this moment because it was just one more piece of evidence that they were together before that was fully confirmed.

But then my headcanon brain took over while I was writing my multichapter fic and it has been fucking me up ever since. Because I'm always going to wonder if all their drama was always going to happen the way it did or if Vel betraying Cinta's trust as a partner was some kind of breaking point.

Is that probably just me? Yes. Does it matter? Not to this ranking.

4. "She's already sharin' a blanket if that's what you're wonderin'." (Ep. 5)

I was!!! I was wonderin'!!!!! And I will forever use this phrase as a euphemism for being a lesbian.

What I would not give........to experience this line and this shot for the first time again. Or at least know what I sounded like giving a joyous shout.

3. "Tell me you'll be alright." (Ep. 6)

This is the one that I would probably sound the most insane trying to talk about out loud. It would be a lot of me like verbally keysmashing and somehow going "!!!!!!" out loud.

The hand-hold that saved my life? The EMOTION in their eyes when they look at each other??? Vel starting to go in for the goodbye kiss right in front of the hostages' salad but then just not????????

Fuck.

FUCK!!!!!!!

2. "Come away from the window." (Ep. 12)

I have to start by talking about Vel's cute little sad grin in this scene when she's like "nice to see you too" and Cinta like glares back at her. That made me feel crazy enough but then this whole scene that I want to say I can't even put into words even though I have in fact already done it.

The desperation on Vel's part is what kills me. Not that she's desperate for attention or love or whatever people always try to pin on her here (and of course it is that to some degree) but that she's desperate to keep Cinta from losing herself. She's so desperate but all she can do is ask. All she can do is hope Cinta will turn around and take a break. And she does.

BUT WHAT THE FUCK HAPPENS AFTER THAT TONY GILROY?!

I have never screamed so loud about a scene just ending.

Whatever, it gave me something to write and I enjoyed doing that.

1. "You love me because I show you what you need to see." (Ep. 8)

And here we are. The scene that has taken up space in my brain more than any other single thing since I saw it. I've been over it so many times. Watching and taking notes, staring at the gifs, studying the screencaps, trying to wrap my head around every little line and gesture and movement and emotion. I've spent hours on it, and I still find myself coming back to think about it and wondering if I've truly understood it all.

Just getting them reunited after Aldhani was such a relief (even though it was jarring at first to just see Cinta and be like "how the fuck did you get here?"). But then the conversation just knocked me on my ass.

"Haven't we been apart long enough?" YES YOU HAVE!!

"We take what's left." NOOOO TAKE IT ALL

"That's cold...even for you." Stabbing me in the face would be less painful.

And then...hearing the words "you love me" from one woman to another woman in a Star Wars show....not a book, not a comic...a show. Truly meant everything to me. I was so fucking happy to hear those words that I couldn't even process how goddamn sad the rest of it was until later. Once I did I had a stomachache for an entire week. I have one again right now.

And then it ends with the most fucking beautiful hand-hold and yet another tiny look that makes me feel crazy in and of itself (which I've done a whole post on by itself), and despite my broken heart I have hope.

If I am ever able to watch this scene and not feel seventeen emotions at once, it's over for me.

Easy number one.